Attack of the Killer B’s… catching up with the creator, 25 years later.

In a previous blog post, I spoke of a public access television show I used to watch called Attack of the Killer B’s.

Back in 1992, my Friday night ritual was to run to the gas station just off base and grab a pint of Ben & Jerry’s New York Super Fudge Chunk and a can of Cheezums.  I’d then get back just in time to settle in and watch the most glorious Public Access Television show ever created… Attack of the Killer B’s.  It was like some kind of mad experiment resulting from a twisted tryst between Elvira, Svenghouli, and a voyeuristic MST3K poking its head in and seeing just what the hell was going on.

I ended up with about 8 VHS tapes filled with static’y episodes (all I had was rabbit ears and tin foil!), but I’d watch those tapes over and over again for the next decade.

Dr. Reek Amortis and Skelvis, circa 1992.

Let’s flash forward 25 years… a friend and fellow classic sci-fi/horror fan, @CultCredentials , sent me a message that he may have well found the man himself… Dr. Reek Amortis, Bryan Sisson.  I immediately got in contact with Mr. Sisson and lo-and-behold, Mr. Credentials was right.  I now know how Chewbacca felt.  Thanks Mr. Credentials for your black belt Google-Fu.  I am forever in your debt!  If you are a fan of cult and horror media, please check out his blog full of reviews of movies, TV, comics, and books.  You can also find him on Twitter at @CultCredentials.
So now… two and half decades later, I am finally able to bring you the man himself… the Mad Scientist of the Macabre, the Hero of Horror, the Champion of Camp!  Let’s give it up for DR. REEK AMORTIS!!!!

… er, BRYAN SISSON!!!!

Bryan Sisson, aka Dr. Reek Amortis, and Skelvis. Circa 2017.


First off, I want to thank you for taking the time to talk to me, Bryan.  It’s been 25 years since I watched your television show on Pueblo Public Access.  Could you tell me a bit about your passion for classic horror and why it appeals to you so much?

I have had a deep and consistent horror/sci-fi obsession for as long as I can remember. I have tried to figure out exactly when and why this happened… I think I liked the thrill of “safely” being scared; the excitement of being scared yet knowing that everything was going to be OK… the monsters will not win and goodness will triumph.

When I was growing up I would scour the TV guide looking for every horror, science fiction, and fantasy movie and marking it so I could try to watch it.  If you missed a movie then you never knew if you would ever see it again! The Classic horror movies were from a time where kids could watch and not be bombarded with realistic ultra-violence or nudity like most of the modern era relies on. There was a good scare, creative monsters, and they usually had the morale of good win out, which was comforting. Today’s movies are much more mean-spirited and rely on the one-upping of gore and cruelty. Not really what kids should watch.

One of my favorite memories was sitting with my mom on the couch watching Invisible Invaders during a huge thunder storm! I was watching torrents of water flow down the street with lightning flashing, all while the invisible dead tried to break into the underground laboratory!!! Exhilarating!!!!

 

Wow, very interesting!  I really appreciate how you feel about the effects of today’s horror on children.  I see that you’ve met some very well-known and amazing folks that have worked in the Horror genre. Care to let us know who they were? What was it like meeting them?

My brief venture into film making, while leaving me “underemployed”, did give me some experiences I will never forget! I and the director of our first feature film, “Curse of the Blue Lights”, were out in California trying to find a distributor for our completed film. We sent promotional materials out to every studio and distributor, big and small. We had meetings with 20th Century Fox and Universal even!

They would all eventually say “too bad, you didn’t have a big name talent involved that could sell it”.  Truth is it was way too small for them and frankly not good enough!! Thank god for the then huge VHS direct to video market as we would eventually get worldwide distribution with Media Home Entertainment.

Well, during this month-long trip to Hollywood, we were able to go into Amblin Studios after following up on an invitation from Steven Spielberg’s personal assistant!  Amblin is buried deep in the Universal studios lot.  After going through the second set of security gates, we pull up in the Amblin lot right in front of the building.  Mark Marshall, who was Spielberg’s assistant, is standing outside to meet us when the two kids, Short Round and Chunk from the Goonies, come running up to greet Mark as they also just arrived on a visit. It was a very surreal experience indeed!

We got to tour the entire Amblin studio, including a meeting room with TV’s that would rise out of the tables and saw the theater he had set up to watch any format of film possible.  As we walked down a hallway in the Mexican style compound, we passed an indoor paseo area where only 10 feet from us a photographer was taking pictures of Spielberg for a magazine. While we did not meet him, he did turn and smile at us as we passed!  Again exhilarating!

On this same trip I called up “Uncle” Forry Ackerman, whose name and number were listed in the phone book.  I was bummed out that I only got the voice mail as he was off at a convention. Two days later, my phone rings and I can’t believe it but on the other end is Forry inviting me to the Ackermansion that weekend! We pull up and I can see the submarine from Atlantis the Lost Continent just sitting in his backyard! He gave us a wonderful tour of his house when Ron Borst (huge movie poster collector and expert) stopped by, so they invited us to eat lunch at Forry’s favorite place, Sizzler!  Well, I was in heaven as any horror fan can understand.  I treasure my pictures with him in front of Maria the Metropolis robot.

I have since become an avid convention attendee and have had the pleasure to meet and talk to many of my heroes like Barbara Steele, Stuart Gordon, Clive Barker, Bert Gordon, Lamberto Bava, Ruggero Deodato, Dick Smith, Rick Baker, and many others.  I really like getting original posters signed by the cast and crew!  One of which is a Godzilla Vs The Thing one-sheet signed by Godzilla actor Haruo Nakajima!

 

You got to meet Forry and see Short Round, Chunk, and Spielberg?!  That must’ve been a Holy Grail moment!  I’d really like to know about the genesis of Attack of the Killer B’s (AotKB’s).  What was your motivation to create it and was it difficult to get on television?  What was it like to film an episode?  I’ve got an ongoing wager with myself that your name was Dr. Reek A. Mortis, and not Dr. Reek Amortis.  Who wins?  Who ends up being the one who was wrong for two and a half decades?

After trying my hand at film making and finding myself rather unemployed, I went back to the University in Pueblo to get an engineering degree.  I got a work study job at the University’s PBS station editing commercials and TV spots.  One day I was talking to the station manager, Greg Sinn, and found out he was a monster kid too!  He even still had some of the Famous Monsters paperback books from when he was a kid.  I asked him if he ever thought about using the station equipment to make a low budget movie.  That must have gotten his mind going because a month later he called me into his office and said he would be able to get a package of old B horror/sci-fi movies and asked if I was interested in coming up with an idea for a horror host to introduce them. That was all I needed to hear!  I immediately told him that I would and that I wanted to bring a friend of mine, Sonny Theis, in so we could incorporate silly songs into the sketches.

The University had a fairly large TV studio where they would film fund raising events and some student game shows. They had professional grade cameras, editing equipment, and could do large scale green screen effects shots.  I was a kid in a video candy store! This was very small scale… like really small scale… no one was paid and no money was spent.  I had to come up with everything that would be on camera.  The first thing I did was build a small dungeon-like set complete with a small window that we could look out of or just have fog roll in from.

I spent a few days carving,  gluing, and painting styrofoam to give the look.  Next, I had to think of a way I would start each movie, so I built a large switch that I could pull down.  Now Sonny was up for being my side kick and was for doing the music with me, but he was not really one to act very silly, so I knew we would be a little straight man/funny man, Abbott and Costello like.

I was working in the pharmacy at a local hospital so I had access to medical gowns and stuff of that nature so the good doctor was born!  And you lose and win… the name was Dr. Reek Amortis but I have to say I really like the Reek A. Mortis also!

Every Thursday night I would go over to Sonny’s house where he had every instrument and recording device you could imagine. He would start laying down drums, then bass, then keyboard and build a song.  He went over and over it, adding all the instruments to the music I was writing down, the lyrics that would go with the movie.  By the time he was done with the music, the lyrics would be complete and we would then sing and record the song.  Great songs such as Attack of the Giant Leeches, Teenage Caveman, and Atom Age Vampire were born.

I would then have to rummage around my house and find props and go down to Betty’s Costumes for any costumes we would need for the skits.  I would also have to write down a rough script that we would do the very next day!  So right after school every Friday, Sonny and I and whoever else we could coax into helping, would go into the study and in one take we would play the prerecorded music and lip sync to the song.

I still find it odd how hard it was to get people to be involved in something that was so much fun. I always knew I had my family that would come through in a pinch and I was always in a pinch. My son Zachary would play young Dr. Reek and my mom would play one of the Sisters of the Immaculate Constipation.  My girlfriend at the time would play a number of characters, including a cave woman and a car crash victim in one of my favorites… Atom Age Vampire.

We did this every day for a year for a total of 23 episodes (I think).

 

So, I’m a loser and a winner… I’ll take it!  You worked with two other main cast members (well, one alive and one not-so-alive), Sonny and Skelvis.  Can you tell me about working with Sonny?  How did you two meet?  He was a seriously cool cat… did he ever take off his sunglasses?  I remember that you and Sonny would perform a song based on the movie that was to be shown.  It was amazing just how good those songs were!  What was the process involved in that?  Was Skelvis as difficult off-screen as he was on?

Sonny Theis and I met at a number of parties where he would play amazing lead guitar while we all drank massive quantities of beer.  Oh the 70’s!  Sonny was/is an amazing musician and I had played rhythm guitar with him a few times in a band.  Sonny was also attending the University at the time and he was equally anxious to try out this unusual adventure.  Sonny was a cool cat and now that you mention it I don’t think I have ever seen him with his sun glasses off… hmmm.  Did you ever see Not of This Earth??

Being a dungeon setting I thought about what I could do to spice the set up a bit. The music and horror made me think it would be cool to have a dead Elvis as a smartass side kick hanging on the wall to give the good doctor grief.  I had a number of zombie bodies lying around in my basement from the Curse of the Blue Lights film, so I picked one out and made him up as Elvis.  I incorporated a glove in the back of his mouth so it could be manipulated from a hole in the wall.  I tried to find someone that would be committed to doing the voice of Skelvis and someone else to stand on a ladder behind the wall to manipulate the arms, but more often than not we were ready to film with no one to help. This is why in many of the episodes you see Skelvis with his mouth taped shut “so he couldn’t taunt us”

Skelvis is living the life, or is it death, down in my basement and pondering a comeback tour.  I just don’t think he has the guts to actually pull it off though…

 

So you’re saying that Sonny might have egg-white eyes… interesting!  And Skelvis doesn’t have the guts… wait… I see what you did there!   Are you a musician in “real life” and do you still perform?  Any chance on there being an AotKB’s album one day?

I am a middle-of-the-road, wanna-be rock-star musician.  I currently play in a 3 piece band called Playing With Fire.  Interestingly, we all got together when we played in a band with Sonny.  Geniuses’ get tired with things and so Sonny bowed out and we continued on our own.  Sonny and I had often discussed if we should try to do a return of Dr. Reek, but honestly I think it was lightning in a bottle… the time was just right and we were up to the challenge.   

 

Well, I ain’t gonna lie… I’m just gonna pretend that one day there’ll be a reunion and I’ll be ready with the New York Super Fudge Chunk and a can of Pringles.  How many episodes did AotKB’s have?  How long did you plan on running the show?

We really had no idea how it would go over with people and didn’t have much in the way of feedback if people were even watching…. We ended up filming for one year (basically one show for each movie in the Attack of the Killer B’s package he purchased).  They had the right to show it for 2 years, so the second year was re-runs.

 

The first (few? I can’t recall how many) episodes were in black and white.  At some point they became color.  Why did you decide to change it to a color program?  Did that create any headaches?

We really didn’t know what we wanted it to look like at first. We went with black and white since the movies were black and white.  Then we got a knob that I could use to change us to color.  Eventually we just liked the color better and stayed with that.  I also want to mention our cameraman, Ron Weekes.  Ron was a full time employee at the station and really added a lot to the look of the show.  I wanted the cameras locked down on dollies because they had all this cool equipment and I thought that would be better, but Ron chose to grab the camera and move about free style. This really added a lot to the look of the show and really added to its zaniness!

 

I remember that camera work!  Y’all were decades ahead of today’s “queasy cam” stuff!

Any chance that there is some archival footage of the show?  I’ve got two healthy children… they may be small, but they’re strong!  I could maybe trade one for a DVD box set?  Both for the BluRay?

Sadly, I only had some crappy VHS copies but all of the surviving songs are out on YouTube. I had the full broadcasts transferred to DVD, but they’re really bad copies… Arrghh!!!

I did experiments with children on TV.  I could get away with it because it was “educational”, now they frown on it.

 

I totally understand… I probably would’ve chickened out on the the deal and offered up my autographed copy of Damnation Alley in lieu of my kinder anyway…

You wrote a movie, “Curse of the Blue Lights”.  Would you mind talking about that?  Any other horror projects in the works?  Any plans on an AotKB’s revival someday?

Curse of the Blue Lights was another adventure where we were too stupid to know we shouldn’t be doing this.  This was pre-Dr. Reek.  I  dropped out of the University to help a guy raise money to make a low budget mystery/horror movie.  In the meantime we ended up making a documentary on Zebulon Pike called Zebulon Pike and the Blue Mountain.  Pretty cool little film narrated by Burgess Meredith!

We did not raise the $1 million we needed, but we did raise about $175,000.  Instead of giving up, I convinced them that we should make a low budget horror movie with lots of makeup effects.  I had been doing a lot of foam latex monster make up and knew I could pull enough off enough to have good effects. Very long story short, we made the movie and got it distributed worldwide!  We made the money back, but it was too slow for investors to reinvest in something more.  Hollywood low-balled us and really didn’t give a $h!t if we made another movie or not.  I worked on a few more locally produced films like ROBO C.H.I.C. (Assistant Director) and Elves where I got to work with up-and-coming effects guru, Vincent Guastini.

I am always conspiring something … right now I’m spending time with my band.  There is nothing better that playing on stage and everything just blends.

 

Holy crap, I had no idea you had been involved in so many projects!  Did you ever think that a fan of your public access show would contact you 25 years later?  Is this kind of a cool thing or does is make you freak out just a little bit?

That someone remembers our work from so far back is one of the most awesome and humbling things that has happened.  When we made these, we really never knew if anyone watched, let alone liked what we did.  We did what we did because we had to have a creative outlet.  I was going to school for engineering and then going to the set to be a horror host… How cool was that!?  

I wish I had taken the time to document what we did, but we were so wrapped up in trying to pull off something funny for nothing that we just didn’t even think about preservation.  I had someone from Blood Central just contact me about Curse of the Blue Lights, so it is strange that I would also be asked about Killer B’s in the same month.

Things I did 25–30 years ago and people remember them fondly… It makes me very proud and should be a lesson for anyone that you should go for the impossible… you want to make a movie?  You want to be a horror host?  You want to be a rock star?  What the hell are you waiting for?!

I am so happy you enjoyed our show and took the time to seek out Dr. Reek!

I can dig it.  One last question… You’re in a desert, walking along in the sand when all of a sudden you look down and see a tortoise. It’s crawling toward you… You reach down and flip the tortoise over on its back. The tortoise lies on its back, its belly baking in the hot sun, beating its legs trying to turn itself over. But it can’t. Not without your help. But you’re not helping. Why is that?

Because I know this tortoise… he has stalked me since childhood. The first time I remember seeing him I was in my crib, unable to utter anything intelligible, I lay in a filthy diaper.  While just outside of my peripheral vision sat the tortoise smirking, planting frightening tortoise visions in my weak mind.  I still remember his taunts as I stood in front of my first grade class unable to solve the equation the instructor had written on the board… and all the while the tortoise, probing, planting false variables and erroneous theorems.  And good god… how can I ever forget our wedding night… my beloved lying disheveled in our bridal bed, the foul stench of tortoise rising from her ivory skin.

I feel him even now in my mind… I feel the shell growing on my back… I lay down next to …it.

My legs flounder in the air as the desert sun bakes down upon my naked flesh…


And there you have it my friends, quite possibly the coolest interview I will have ever done.  This really was a trip down memory lane.  I feel like I want to relate to how Bryan felt when he met Forry.  This really was an exciting experience for me.  I swear I can smell the Cheezums and taste the ice cream.  A megaton of thanks to Mr. Sisson for allowing me to pick his brain (with anesthetic of course) and discover the magic behind Attack of the Killer B’s!

Post-Apocalyptic audio goodness for your earholes…. an interview with Ryan Law of Ash Tales.

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I first discovered Ash Tales a few months ago on Twitter (or maybe it was longer than that… time in the Wastes can be subjective).  In any case, this quickly became one of my favorite accounts to follow.  I happen to love audiobooks and post-apocalyptic fiction (um, duh!) and this was the best of both worlds!  Ash Tales is a podcast that is a reading (complete with sound effects) of a postapoc short story.  Really… it’s like a star was actually listening when I wished upon it!

I recently decided that an interview was in order… I simply had to know more about Ash Tales and the man who created it.  So, with no further ado, here he is… and as always, please click the pics for a taste of Ryan’s fabulous work…

 


 

First off, tell me a little about yourself.  What makes Ryan tick?

  I guess I’m motivated by two core beliefs: Post apocalyptic fiction is more important than most people give it credit for, and it deserves greater awareness.  Writers get a raw deal, and deserve a better way to share their stories with people.

Aside from that, I’m 25, I play a mean guitar, and I have a crippling love affair with dark beer.

 

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What sparked your interest in postapoc fiction?  What is your first memory of something telling you “This is it… this is what I love”?

   About a decade ago I was given a dog-eared copy of The Postman to read. There was something in that story that fascinated me: seeing society crumble down brought out a bit of the frontier spirit in me, and I damn near packed-up my bag to go and live in the woods.  I looked for a few books that captured a similar vibe, and that was how I found The Road – and that magic phrase “post apocalyptic fiction”. Cue the light bulb and angelic chorus.

 

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Is there a certain type of Apocalypse that you favor?  Nuclear Armageddon?  Social Breakdown?  Ecological Disaster?  Dare-I-say-it…. Zombies?

   It’s gotta be the classic nuclear apocalypse scenario – that feeling of living under the gun is just so relateable. Books like Alas, Babylon and On the Beach really hit home for me, seeing how close we’ve come to a real-life cataclysm, and how close we could come again.

 

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Are you a fan of “fantasy” apocalypses or ones based more in reality (Fury Road vs. The Road)? 

  Don’t make me choose man! I guess if I had to come down on a single side, I’d favor realism. I think post apocalyptic fiction can be a powerful form of social commentary, letting you strip away society’s veneer and see what life’s really like at its core. I studied Economics and Sociology, so I’m fascinated by the unspoken rules that govern our world, and I love anything that explores what life would look like without society around to guide us.

 

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Are you a writer yourself?

   Absolutely! Writing was the only thing I was ever good at, so I’ve spent the last decade finding ways to make a living from it. I’m the co-founder of a marketing agency here in the UK, and before that, I was a freelance copywriter. I’ve written all kinds of weird and wonderful things (I’ve even been a beer reviewer – that was pretty sweet), and I’m now turning my hand to writing fiction. I’ve published a few short stories and a novel is in the works (new-found respect for serial authors –  novels are hard work!).

 

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I absolutely love what you’re doing with your Ash Tales project… seriously,  this is a an amazing blending of audio and postapoc fiction.  Would you tell me more about Ash Tales?  How did you come up with the idea?  What would you like people to know about it?

   A couple of years ago, I decided to write a roundup of awesome post apocalypse books – the kind of guide I was looking for when I first discovered the genre. A few thousand words and a dozen cups of coffee later, and I’d written The 50 Best Post Apocalyptic Books. I set up Ash Tales, hit publish – and promptly forget I’d ever written it. I stumbled upon the site a year later, and saw that the post was getting hundreds of visits a month. Now, it’s just crossed 20,000 views (insane!), and as it turns out, my weird little end-of-the-world fascination wasn’t that weird or little.

   The rest of the site grew out of that realization. I’ve had first-hand experiences with literary journals, and I was sick and tired of waiting months just to get a templated rejection letter. So I took matters into my own hands, and created a writer-friendly space to share new post apocalyptic fiction  – no agenda, no qualifications, just great storytelling. The podcast was a natural extension: I had great stories to share, and podcasting felt like the purest form of storytelling imaginable.

Are you a “one man band” when it comes to Ash Tales, or is it a team effort?

   Total one-man band! I count myself really lucky that my day job gives me the skills to run the site, letting me focus on the stuff I love doing: reading and writing post apocalyptic fiction! 

It’s also important to say that Ash Tales wouldn’t exist without the support of our awesome readers and writers. I’ve been blown away with the response I’ve had from people, and I’m always humbled by talented authors that are willing to take a chance on me, and share their work with the site.

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Is postapoc fiction popular in England?  If so, why do you think that is?  If not, why not?

   It’s always struck me as a pretty American phenomenon, and most of the genre’s classics have their roots firmly in US soil. At a guess, I’d say we have the Cold War to thank for popularizing the genre, and the US was more directly involved than our quiet little backwater. With that said, there are a couple of books my native country has contributed to the cause, including The Children of Men, The Day of the Triffids, and the super underrated The Death of Grass.

 

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I’m not going to ask you the old standby of “What is your favorite postapoc movie and book?”.  So, what are your THREE favorite postapoc movies and books?

Awesome question: 

Movies
1) The Road
2) Children of Men
3) 28 Days Later
Books
1) The Stand
2) The Death of Grass
3) The Road
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Impressive…. most impressive (in my best, yet totally pathetic Vader voice).  I’m going to suppress my elation that you are the only person I’ve ever spoken to who was familiar with The Death of Grass… only because it would be both embarrassing and perhaps a skosh messy.

Ryan, thank you so much for giving me the opportunity to ask you these questions and letting our fellow wanderers of the wastes learn more about you and your project.

If any of you writers are interested in submitting your work to Ash Tales, you can submit your tale here… Ash Tales Short Story Submissions.

Ash Tales can be found on Twitter, Facebook, iTunes, Stitcher, Soundcloud, and YouTube.

 

 

My favorite End o’the World Books of 2016…

I know it’s 2017, but it’s barely 2017 and seeing as how I’d (hopefully) be late for my own funeral, I figured it wasn’t too late to talk about my favorite end-of-the-world stories from 2016.

I don’t keep track of how many books I read in a year… I should probably start doing that. I’ve also never made a favorites list for those that were… well, my favorites.  I should probably start doing that too.  I should probably say something to the effect that although some/all of these may not have been published in 2016, I read them in 2016.  They are not in any kind of order – they’re all my fav’s.

The covers are linked to the book’s Amazon page and you can click on the author’s name to go to their website/amazon page.

So, here we go…

 

 

All the Elders Orphans by Melissa Dykes

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Ms. Dykes did an amazing job at making me despise or revere the characters in this book.

There were unbelievably sweet moments and absolutely horrendous ones… something one might expect in a broken world like this.

The female lead was superbly done and I appreciate how Ms. Dykes wrote her. This is a very brutal world and as much as I like to think I’d be some badass survivor, I’m not sure I could be as strong as she is.

I don’t recall there being a single spelling or grammatical error that took me out of the story – a real feat in this day and age.

I wholeheartedly recommend this book to those who enjoy post-apocalypse stories.

 

Arch City Apocalypse: The Low Lying Lands Saga Volume 2 by Bob Williams

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A fantastic second book in the Low Lying Lands Saga, and I daresay that I enjoyed it better than the first. Another non-stop romp through the wasteland that was once America.

Prescott is “every man”… totally relate-able. I’d venture to guess we’ve all known a Prescott, or perhaps even been a Prescott. He’s just a great character.

The SciFi pop-culture references are one of my favorite things about these two books and Williams is a master of it here. One minute I’m terrified at what I just read, the next I’m laughing… good stuff!!!

If you’re looking for a fast-paced, action-packed story about a few folks trying to take down a seriously bad dude – I highly recommend this one.

 

Uroboros Saga Book 6 by Arthur Walker

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Once again, Arthur Walker hits it outta the park. Seriously, how does this guy do it?! I would go so far as to say that this may very well be my favorite one so far.

From the opening chapter, I knew that this was gonna be a helluva ride and I was right. There are long-wondered questions answered, but (in pure Arthur Walker fashion) more rise up. That’s a good thing because it means there’ll be more books!

One thing that really struck me in this latest book is the author’s ability to present incredibly fantastic tech as totally tangible, real, and believable. Not only tech, but things that surpass the technological and into the, well – almost magical. He has an amazing way to allow the reader take all of these wonderful concepts for granted – we don’t know how they work, we just know they do and that’s good enough.

This series ventures headlong into hard scifi and I would have no issue placing this author’s books right alongside those of Niven, Robinson, Clarke, and Pohl.  If you’d like to read some insight to the series, you can do so here in an interview back in 2015… Identity Extensive Technology and “Going Delta” – An Interview With Arthur H. Walker.

 

Making Monsters by Joe Turk

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Joe Turk describes Making Monsters as “dystopian humor with an apocalyptic chaser.” I’d say that hits the gnat right in the ass. The humor can be fairly dark, but this is story about the end of things, so that goes without saying. We get to travel along with the characters as the world is being broken right before our eyes. It’s like Doctor Strangelove meets the Cthulhu Mythos. I never once got bored reading Making Monsters and if it wasn’t for this ridiculous thing called being an adult and having to work, I would have read it in one setting.

I absolutely enjoyed the hell out of this book. There’s a cautionary tale going on here and I’m not quite sure if I should pass it off as fantasy or be scared to death that something like this might happen. Ya never know…

I enjoyed this story so much, I asked Joe if he’d write a guest post for my blog. You can read it here if you’d like… A Corporately Sponsored Apocalypse.

Oh, and did you know that Mr. Turk is currently working on an animated web-series based on Making Monsters?  No?  Well, you do now!  Check it out, it’s really great!

 

The Wizard Killer – Season 1: A Post-Apocalyptic Fantasy Serial by Adam Dreece

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I very much favor “Man with No Name” stories and that is one of the reasons I’m so attracted to The Wizard Killer.

Who is this guy? Where did he come from? Where is he going, and what keeps him putting one foot in front of the other?

One of the things that really sucked me into this story was that the main character wakes up with no clear recollection of who or where he is. He’s apparently a man who harbors some kind of magical power… but he just can’t really figure out what the hell is going on.

I felt very empathetic towards the main character. He seems to react the same way I would in his situations… essentially standing there, looking around, and muttering “I’m hungry, I’m lost, I’m pissed off, and everyone keeps trying to kill me… What the hell?!?!”

It is a compelling story. I want (who am I kidding… I “have”) to know what is going on. Who is this guy and what killed the world?

I felt like I was trudging along the blasted landscape with this him, often muttering “What the yig?!” under my breath.

This is like Mad Max meets Lord of the Rings… I mean, we’ve got magic in a post-apocalyptic wasteland…. how does it get better than that!

I highly recommend this post-apocalyptic fantasy tale from Adam Dreece!

 

The Eternal Season (The Swallowed World Book 1) by Tyler Bumpus

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I’ve been wracking my brain for the past 12 hours trying to figure out just how to express how much I liked this book.

There is world building going on here the likes of which I have not seen for a long, long time. A future North American continent that has been laid waste by not only geological catastrophes and apocalyptic weather, but also by war, famine, and disease. All of these things lead to a perfect storm that literally breaks the world. The book was reminiscent of Aftermath by LeVar Burton and The Road.

Amongst all of this ruin, there is incredible technology still being used. It’s an amazing blend of a technological society living in a new dark age. There is also a hint of the evolution of human beings and a hope that something better may rise out of this broken world, although I have a sneaking suspicion that things are gonna get worse before they get better.

The characters of this story…. wow. You’re going to run the range of emotions with them. I very much liked the fact that the main character count was kept low. I often have a hard time following who’s doing what when I’m having to follow a bunch of different characters. Kudos to Mr. Bumpus for keeping it simple and letting me get to really know a select few instead of hardly getting to know a bunch.

This story is for mature readers. There is not a lot of terrible violence spread throughout, but there is one particular part that… well, when you get there, you’ll know it.

The author graciously included a glossary, which to be honest, is worth the price of the book alone. It’s a story in and of itself. Not to mention maps and chapter art. You can tell that Mr. Bumpus put a tremendous amount of work into this story and to say I’m excited to read new books as they come out is an understatement.

Tyler wrote a guest blog for me last year. You can read it here… Birth Pangs: Interpreting Our Post-Apocalyptic Nightmare.

 

Hood: A Post-Apocalyptic Novel (American Rebirth Series Book 1) by Evan Pickering

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Wow…

This is a damned good book.

I’ve read a lot of post-apocalyptic fiction… a LOT, and I have to say that this is a solid five-star story.

What did I like about it? The characters. Mr. Pickering is able to bring these characters to life. They are people that you know… hell, they might even be you! Make no mistake, I like to have some ass-kicking in my wastelands, but it is often rare that I actually end up actually caring about the characters. Mr. Pickering does a fantastic job of making the reader despise a character, yet love them at the same time (and sometimes, just the opposite). They make decisions that, when you really think about it, we might very well make in the same situation.

It is often a rare thing when I feel a book is character-driven, but the author has simply done a wonderful job at doing just that.

I highly recommend this one.

 

After Armageddon (Book of Luka Series Book 1) by Brian Dorsey

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Perhaps best known for this military SciFi series, Gateway, this is actually Brian’s second post-apocalyptic tale (his first, Hope, is available on Wattpad).

This is a brutal and interesting dark romp through the apocalypse.

A speculative take on the theological aspect of Armageddon, the story follows a rather eclectic cast of characters trying to survive the End Times and push back the demons that have laid waste to the planet.

The theological theme may sway some readers, but being someone of an open mind and a love for stories in this genre, I very much liked it. There is some harsh language and violence, but let’s face it, Armageddon ain’t gonna be all daisies and kittens.

 


 

And there you have it!  Thanks for reading and please, check out these authors and their work.

Death Drive, Life Drive… Guest Blog from S.C. Flynn.

I remember first encountering S.C. Flynn around 2014.  He labeled himself as a “…reader and reviser of science fiction and fantasy.“.

I really had no idea that he was a writer as well.  You can imagine my surprise and rather blatant joy to learn that his first published book was going to be post-apocalyptic/dystopian in nature… YES!!!!

Not only that, but it was going to by YA as well, and truth be told,  I have come to enjoy YA literature almost more than that geared strictly towards adults… it tends to be faster paced and does a great job at keeping the reader engaged and wanting to read.  YA lit ain’t just for kids, ya know!  He asked me if I wanted to read an ARC, to which I promptly replied “Hell yes!!!”.  I really enjoyed his story and am very much looking forward to reading more in this series.  You can read my review of Children of the Different here.

So let me present S. C. Flynn – reader, reviser, and now…  a published post-apocalyptic author!


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The roots come out of the earth, fighting back against mankind’s concrete prisons. As if the soul of the world were pouring out again.

These days, a lot is rightly said about the damage done by industrialized human society to the Earth’s environment. Global warming is melting the world’s ice caps; in time, this will raise the water level such that certain coastal areas will be rendered uninhabitable. Rising temperatures in Equatorial Africa will increasingly make agriculture impossible there. These issues and others to come will probably affect the entire planet, even to the point of killing off humanity in its entirety.

We are caught in a self-perpetuating death drive.

termitewingsseparateAs great as these problems are, they are limited to the human point of view. The Earth itself is indifferent to whether or not we exist. If things continue as they are, it will eventually rid itself of humanity – or most of it – and start a new drive to life of its own. A drive back towards growth, cleanliness and diversity. Any humans left would have to make do as best they could in a game where they no longer make the rules.

Nature’s game.

The situation of a vastly reduced human population trying to survive after the collapse of technological civilization lies at the heart of post-apocalyptic fiction. Scavengers – people living off scraps of that previous civilization – are currently very popular, as are zombie-style chaos, but other reactions would also be logical. Trying to rebuild what was lost. Destroying all traces of it as evil. Or trying to forget all about technological civilization and following a new life trajectory, one that involves letting yourself be absorbed in to the Earth’s life drive:

I and the others like me are the human roots left after the Madness. We are like nature’s soul, small as we are.

termiteseparateThat might seem either utopian or dystopian, depending on your point of view. The difficulty of imagining that kind of life stems more from our total dependence on machines than from any real impossibility in living much closer to, and in tune with, nature. After all, our ancestors did so for many centuries. If enough time were to pass, or if the shift in mentality caused by the apocalypse were sufficiently great, it might be possible.

The end of technology and mass communication would mean the end of large ideologies, and various small isolated groups might experiment with different approaches to life, each one “ethical” according to its own rules. Among them, there might even be a group that works to bring back the best of technological civilization, while avoiding the errors of the past.

Literature can – and should – try to imagine these different ways of living and of being. It can help us to understand what to look forward to. And what to avoid.

‘She could feel the life pulsing, life of a kind she had never felt before. Rich but impossibly ancient. She knew that these creatures had seen every kind of being come and go. They had been there long before anything else, and they would be there long after humans were gone.’

[artwork by Eric Nyquist]


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About the Author

S. C. Flynn was born in a small town in South West Western Australia. He has lived in Europe for a long time; first the United Kingdom, then Italy and currently Ireland, the home of his ancestors. He still speaks English with an Australian accent, and fluent Italian.

He reads everything, revises his writing obsessively and plays jazz. His wife Claudia shares his passions and always encourages him.

S. C. Flynn has written for as long as he can remember and has worked seriously towards becoming a writer for many years. This path included two periods of being represented by professional literary agents, from whom he learnt a lot about writing, but who were unable to get him published.

He responded by deciding to self-publish his post-apocalyptic fantasy novel, Children of the Different and, together with an American support team, aimed for a book as good as those created by the major publishers.

S. C. Flynn blogs on science fiction and fantasy at scflynn.com. He is on Twitter @scyflynn and on Facebook. Join his email newsletter list here.

My Favorite Post-Apocalypse Movies of the 1990’s…

The 90’s…. it was only a decade prior to this one that I was just a kid.  Now I was a soldier, a combat veteran, a college graduate, a husband (well, for a year anyway – Gads, what an utter slut!), and working man.  Didn’t stop my inner nerd from enjoying that which I enjoyed most… post-apocalypse movies!!!

The 90’s were known for being the decade in which we moved from practical effects to full-blown CG.  It was amazing how things changed in just ten years!

As always, click the poster to watch a trailer, clip, or full movie.

 

12 Monkeys – Based on a 1962 French independent film called La Jetée, 12 Monkeys was directed by Terry Gilliam.  This is without a doubt, one of my favorite PA movies of all time.  For those who did Terry Gilliam, this is a masterpiece.  For those who may not dig Brad Pitt, this (as well as his role in Se7en) is my favorite role.  He is simply superb.

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Delikatessen – A French film by Jean-Pierre Jeunet (he’s also known for City of Lost Children and Alien: Resurrection… two films I happen to enjoy even though it seems everyone else does not).  Starring Dominique Pinon (Jeunet likes to use him in most of his films), the movie takes place at some point in time that is fairly vague.  It is in an obvious post-apoc setting (most likely nuclear war).  The movie takes place almost exclusively within a hotel and is character driven.  I highly recommend this one…

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Escape From L.A. – Ahhh… Snake Plissken is back!  Like its predecessor, this isn’t necessarily postapoc, but rather dystopian.  You’ll either hate it or love it.  I love it.  The original script had been written by Coleman Luck and John Carpenter thought it was too campy, but Kurt Russell pressed him to make the film.  I’m glad he did.

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Fist of the North Star – Sorta, kinda, a little bit based on the manga, the 1995 film was direct to video and when one watches it, one can see why.  That being said, the atmosphere of the movie is just very cool even if the acting isn’t…

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Hardware – This one has become a cult classic and if you’ve never seen it, I highly recommend it.  The soundtrack alone is worth it.  There are a couple of cool cameos, Iggy Pop, Lemmy (R.I.P.), and William Hootkins (remember him?  he played Porkins in the original Star Wars film).  Hootkins’ character (Lincoln) is deliciously creepy, as is most of the film.

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The Matrix – I don’t really have to say much about this one, do I?  Is there a person on this planet who hasn’t seen it?  I won’t be talking about the 2nd and 3rd films as the first one is the only one I really enjoyed.  It was new, it was fresh, it was freaking awesome!

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Mindwarp – Now, this one here… this one might not be so well-known.  Starring Bruce Campbell and Angus Scrimm (those two actors oughta catch your attention!), it was one of the few films produced by Fangoria Films (so you know it was good and gory).

The world has fallen to nuclear war.  Cannibalistic mutants thrive on the surface while those who were lucky enough to get underground, spend their time jacked into The System and living their lives in a virtual reality paradise.

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Neon City – Starring Michael Ironside, how could this suck!  Ironside is an ex-cop turned bounty hunter.  The world has been laid waste by ecological disasters and there are often “Brights” (some kind of sun flare that kills people) and Xander Clouds (some kind of cloud that kills people).

Don’t let that fool you, it’s actually really good…

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Omega Doom – This one right here…. this is one of my absolute favorite postapoc flicks of all time.  Don’t ask me to explain why… the acting sucks, the effects suck… there’s just something about it.  Definitely one of those “so bad it’s good” flicks.

Starring Rutger Hauer (that’s probably a large part of its appeal), and…. well, that’s about it.  Oh yes, it also stars Anna Katarina and apparently she’s kind of famous, so…

Omega Doom is simply a re-telling of Kurosawa’s Yojimbo.  A “man with no name” tale that we’ve seen many times before… except this time, it’s after a nuclear apocalypse and the characters are androids.  Tempted?  Damned straight!

I liked this movie so much, I wrote a blog post specifically about it.  You can find that here if you’re so inclined.

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The Postman – Loosely based on The Postman by David Brin, this movie holds a special place in my memory as I was living where it was filmed at the time.  From what I understand, Brin had some concern as he didn’t want the film to be too “Mad Max’ish” and wanted to make sure the character retained his soul.  I’d say it was a success.

The movie is just wonderful and the message of hope portrayed is palpable.

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The Postman: The Movie and the Book


Robot Jox – Giant fighting robots after a nuclear war.  Need I say more?

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Six-String Samurai – Man… how do I even describe this thing?  A katana-wielding, Buddy Holly’esque road warrior?

Yeah, that’ll do nicely…

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Split Second – Like Escape From New York and it’s sequal, Split Second is not really postapoc, but rather dystopian in theme.  London is flooded and sitting under a couple feet of water.  Hauer plays a burnt-out cop who discovers a sequence of murders that strike a nerve.  Hauer’s performance is worth the admission price alone. Lots of good actors in this one.  I highly recommend it…

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The Stand – I first read The Stand in 1990, while serving with 1st Squadron, 2d Armored Cavalry Regiment during Desert Storm.  Now, I’ll be the first to tell you that I am not a fan of Stephen King… wait, let me rephrase that – I used to be, but no longer… ever since the late 90’s.  I’m not going to go into the reasons here as to why I’m no longer a fan.  If you wanna know, shoot me an email or ask me on Twitter.

Needless to say, I loved the screen adaptation and I’m fairly certain I’ve never met anyone who hasn’t…

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Tank Girl – Oh man… another one which folks either love or totally hate.  I love it.  There isn’t anything I don’t enjoy about this flick.  I mean, it’s got Lori Petty, Ice-T, Naomi Watts, and Malcom McDowell?  C’mon!!!

It tries to capture the comic, but if you take it for what it’s worth, I bet you’ll enjoy it too…

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Waterworld – Jeez… the hatred and vitriol that followed this movie – it was not deserving of such negativity.  Did it have its production problems?  Of course it did.  Did that affect the storytelling or visuals?  Absolutely not, IMNSHO.

Yet another love/hate flick.  And yet another one in which you can count me in the “love” camp.  This is simply pure, wonderful, fun, fantasy postapoc fiction.  If you keep trying to insert reality into it, no wonder you hate it…

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Mad Max, Death, and Justice … Guest blog from Asher.

I was recently contacted by a fella… a quick fella… who altered my perspective on both art and the way Mad Max (Fury Road specifically) can be interpreted.
First off, let me tell you who this guy is… he is an artist that goes by the name of Asher – he “translates discarded tech into artistic pieces.”  His work is simply amazing and I’ve often said that although I have really no idea how to describe it, I love it.  A super cool blending of goth, cyberpunk, horror and abandonded tech… Please take a moment to check out his website.
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We follow each other on twitter and out of the blue, he asked if I would mind reading his thoughts on Mad Max.  Of course I said “Yes!”, and after reading his words, I immediately told him that this material HAS to be shared with the postapoc  community.  I asked him if he had a blog, to which he replied “No”, so I asked if I could possibly share his thoughts on mine.  I’m glad he said “yes”.
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So with no further ado… here’s Asher and his thought provoking wordstuff about the tragic lone wanderer of the wasteland, Max Rockatansky…

I think you have to start with Stone and not Max. Miller draws too heavily on that film. Hell, half the Mad Max cast is from Stone including Hugh who keeps coming back as the god-man and gets crucified every time.
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I’m fairly certain Miller has always looked at this in a very large picture sense, kinda like Dune from Herbert. If you take the body of the these Aussie post-apocalyptic films as a societal tale, then you have a very slow moving progression and not just some action flicks tied together.

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Stone sets the stage for a society that is imploding upon itself by greed, inability to change, and children who need to kill their fathers as a rite of passage but clings too hard to the old ways. That clinging is brought back up in every single one of his films too. This is why I’m fairly certain Stone sets that stage and he plays upon it.

MM falls apart because they’re using old laws to govern a new form of human society and the hero is stripped of everything he holds dear because he tried to uphold those laws in spite of everything.

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In MM-RW, they’re clinging to the old form of power still (gas) and again, Max only is victorious when he is the harbinger to destroy that dependence.  We’re more or less told that’s the last bastion of gas production.  Without him, Humongous would have taken the refinery and become a king. 

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In MM and BT, both the Kids cling to the old ways as well as Bartertown. The Kids cling to the HighScrapers and the Rivers of Light.  Bartertown exists because they crave capitalism. Max destroys them both.  And in Fury Road, he finally kills the father and puts to rest that old world. More on that…

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Hugh is in all three flicks representational of the Father but he’s also fully aware of Death waiting for him. It’s evident in the script, the actions, and the costumes (in Miller’s pieces). That also puzzles me as to how it’s missed. He didn’t have to use this guy again, but here he is and really in FR he’s passed into a mythical realm already.

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Fury Road… Miller had choices here. BIG ones. He had money and backing, so he had free reign on this. And this is the one thing that I am shocked no one picks up on. Look over Homer’s Odyssey… It’s more or less the story of FR. The River of Lethe, Charybdis, the Sirens, etc., etc., etc.  Max has passed into the stuff of mythos now.

My  proof that this is no longer a reality or part of the world Max was from… the steering columns on the cars and trucks – they are on the left side, the US side. Not Oz, hell not even any former Brit colony. That was a very, very conscious choice. He started production in Oz. They built most of the cars in Oz. Yet why the left side drive?  They actually had to import those vehicles to produce that. Far greater expense and load on the production. This, to me, is a keystone or a cypher that he’s used to give us a clue.

Trust me I don’t really give a shit about uncovering most film or books. I’m really ok with face value since that’s usually how it’s to be viewed/read. But it struck me in the theatre how much like the Odyssey FR was. Then, about a month later, I was welding and replaying the flick in my head, the steering columns really hit me hard.

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Miller’s story boards for FR some 20+yrs ago… I think they are now pretty much EXACTLY like the film. He’s calculating and deeply committed to the story – this is not a man out to make a fortune on an action flick. This is a man creating a classic piece of art that just happens to be couched in the guise of an action flick. He’s not without irony, appealing to a base form of entertainment to tell us a deeply insightful tale of humans – pretty much just like Homer.  I may be totally off base and batshit crazy, but I kinda think I’m close to the bone on this one. I’d imagine when Homer sat in a rotunda and made a couple of bucks reciting his next installment for Friday night entertainment, it wasn’t seen as a classic to them. It was just good adventure and fun.

What I find a thing of pure beauty in FR, as well is how we are shown this, is the realm of Ether and humans are but players for the God’s. The scene that did that for me was where Nux was told by Max to “tie to that thing…”,  “You mean the tree?”. Nux had never seen a tree. And here we are in the land of death, on the edge of the river Lethe, using the tree of life to run from Death/Justice.
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I seriously was just stunned when I saw that.  Max shoots out the eyes of Death/Justice and now it’s blind as it needs to be to exact it’s purpose.
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This is story telling at it’s most epic and sublime. Don’t get me wrong I loved Miller and the Max franchise before. But at this moment he passed to the level of praise and respect very few will ever see from me.
I’m rarely impressed, but Miller has left me kind of speechless. I just hope he lives long enough to finish it.
Because it’s going to be fucking epic when it’s completed.

You can find Asher on Twitter and his website, where he uses flame and steel to create something from nothing.  Please take a moment to visit, I assure you won’t be disappointed!

 

Slipstream… it doesn’t suck nearly as much as you might think.

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First off, I want to thank Barry P. of Cinematic Catharsis for asking me to join the Nature’s Fury Blogathon!  The subject matter this go ’round is Nature vs. Mankind.  In the words of Barry P., “…this is a blogathon about our eternal struggle with flora, fauna, and the elements.

I decided to go with a film that has a bit of a fan following… 1989’s Slipstream.

Maybe not a “cult classic”, (you know what, screw it… it IS a cult classic!) but there are those of us who actually really dig it.  It pits man against good old planet Earth and let me tell you… she is PISSED!!!


Oh, and hey… I’ve never participated in something like this before, so be gentle with me… it’s my first time. 😉

Alright then, let’s get to the movie!


From the depths of the Earth.

To the edge of existence.

The hunt is on…

 

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By the end of the century, man’s destruction of the Earth’s environment turned the forces of nature upon him.  There are many stories about the converging earthquakes that split continents apart – mixing civilizations together… about the floods that buried the cities and the emergence of a river of wind called the Slipstream that washed the planet clean.  Those stories all happened years ago, but this story is about a fugitive, traveling the Slipstream, who needed a friend.


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 First off, Slipstream was blasted by critics and generally despised upon its release.

 Why do I tell you that from the get-go? Because for me it was one of those movies that, after you watch it, you say to yourself – “Why did everyone hate this thing so much?”

To which I reply… “I dunno… it’s really kind of awesome.”


Slipstream is a post-apocalypse movie, or perhaps more specifically, a post-cataclysm movie.  Sometime in the future (we’re not told when), the Earth decides to rebel against mankind’s abuse and issues forth great calamities… earthquakes, floods, etc.

These events became known as The Convergence.  The Earth cracked and continents shifted.  Mountains rose and fell, oceans drained and flooded areas that had never seen water.  Cities were buried.   Our way of life was forever altered.

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Life goes on and people once again established communities.  People found residence within cave-ridden canyon walls.   They now shared their new home with others who were at one time thousands of miles away.

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The only real mode of transportation anymore is flight.  A massive river of air, aptly named the Slipstream, circles the globe and is used by folks to get from point A to point B.  You can often see scratch-built airplanes and hot air balloons overhead.


 

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Our story begins with a law enforcement officer (or what passes for one in this primitive landscape), Will Tasker (Mark Hamill) and his partner Belitski (Kitty Aldridge), hunting down an escaped murder, Byron (Bob Peck).  He is quickly captured and taken to a nearby settlement where we are introduced to Matt (Bill Paxton), a free-spirited bounty hunter.  Matt sees an opportunity to make some quick cash and makes off with Byron to claim the bounty as his own.  Tasker and Belitski soon give chase and the adventures ensue.  The group ends up battling the elements at every turn, getting caught… escaping… running into a religious cult that worships the wind as though it is some kind of God… and finding a sanctuary of lost art and knowledge.

Yes, there is most definitely a story here.  Each character is on a mission…

 

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Matt… the young, headstrong, free-spirited bounty hunter who knows there is more to life than what he’s been dealt, but lacks the maturity to fully realize it.  His is a tale of growth.

 

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Byron… the man who wants nothing more than to dream and find others of his kind.  Although considered a murderer, his is a confusing tale and may well be worth the admission price alone.

 

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Tasker… Living life by the book and bringing justice to the wasteland of the old world.  Almost Max Rockatansky’esque,  he will use any means necessary to capture his prey.  There are no grey areas with him, only black and white.

 

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Belitski… She tags along with Tasker, but things aren’t so cut and dry with her.  Secretly she hopes for something better.  By the end of the film, you find out if she finds it.

 


 

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The film was produced by Gary Kurtz and directed by Steven Lisberger (who also directed TRON).   Kurtz was, at one time, the second half of the George Lucas team… producing both Star Wars and The Empire Strikes Back.  Kurtz and Lucas split before Return of the Jedi and Kurtz went on to produce The Dark Crystal.

Hoping that Slipstream would be his “Star Wars”,  for one reason or another the film ultimately failed and ended up bankrupting Kurtz.


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Made in 1989, it wouldn’t be until 1992 that I would finally get to see this.  I went into a Blockbusters (remember those?) and saw it sitting amongst the other “straight to video” SciFi movies.

To be honest, I thought it was just pretty good;  until right about 15 minutes into it.

There was a song – more particularly, This Big Area by Then Jericho.  To understand why it affected me so much, we’d have to got back a couple of years and spend some time in a hot and dry part of the world full of nothing but sand, blood, and fear.

At the time, I was stationed in Germany.  A couple of days before we left for Iraq, I went to the PX and tried to think of any last-minute items I wanted to grab.  On a whim, I found an album by a group I’d never heard of to provide companionship to my Planet P Project, DEVO, and Rocky Horror Show soundtrack.

I took a chance and loved it!  That was one of four albums I took with me to the desert.  When I heard their music in this film,  I became flooded with nostalgia.  To this day, when I hear that music, it takes me right back to 1991.


The acting is damned good – as well it should be, considering the names involved… Mark Hamill, Bill Paxton, Kitty Aldridge, Bob Peck, Robbie Coltrane, Ben Kingsley, and F. Murray Abraham.

I mean, c’mon… look at Hamill for instance… what a badass!  Bob Peck is simply incredible.  Paxton is… well, Paxton, and Coltrane… I bet you’d hardly recognize him.

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So , maybe you’ve asked yourself at some point “Why should I bother with this thing”… or “I’ve seen it, it sucked… why should I watch it again?”

To which I’d reply, there’s a story here… there’s more than one in fact.  Forget the special effects… each and every character has a story and a damned good one at that.

From a young hothead looking for a quick buck to finance his dream… to a cop who is trying to make the world a better place by following the word rather than the spirit of the law… to an android who wants nothing more than to be with his own kind… to a woman who doesn’t really know what she wants until she see’s it right in front of her…

Yes, there is more to this movie than what meets the eye.  If you’ve never seen it, try it out.  If you’ve already watched it, give it another chance… it might not suck nearly as much as you thought…

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But wait!  There’s more!  As a special added bonus… here is a video of the making of Slipstream.  Enjoy!

 

 

The Future Drift…Guest Blog from Drew Avera

It’s been at least a couple of years since I first met Drew Avera (real quick – his last name is pronounced “averee”… yeah, I know… I screwed it up too).  I’d read a few of his books (in fact, a couple of them were some of the earliest ebooks I had downloaded) and then ended up running into him on Facebook and Twitter.  We’ve often conversed about various story ideas and I’d pick his brain about his indie-author career.

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Drew’s been writing for a while now and has quite a library of stories.  It’s pretty crazy to see this much work come from someone with a full-time military career.  Drew is a Navy Veteran and that is one of the things that drew (Ha!) me to him.  One of the things that amazed me about him is the fact that he wrote his first book on an iPhone… yes, an iPhone.  How cool is that!

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Drew has recently been involved with some amazing anthologies… in fact, I remember when he just had a few books under his belt  – looking at his Amazon page today, it’s amazing to see how his library of work has grown.

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Let’s let Drew talk about his time at sea and how those experiences may well qualify him to crew a deep space starship one day…


One Hundred Days…

That’s the roundabout number of days it takes me to start shutting down on a deployment. It’s at this point when everyone around me starts getting on my nerves, the feeling of being a sardine packed tightly into a can makes me feel claustrophobic, and mild depression starts setting in. One-hundred days. It is a threshold learned over the course of four combat deployments on US Navy ships and it is part of the reason I write science fiction.

It is Memorial Day, at least right now it is, as my fingers strike the keys of my keyboard. A bit of laziness causes a typo, but it isn’t pure laziness, it is the exhaustion of almost two-hundred days of not being home. I’ve had eighteen days off out of the last two-hundred and only two or three more scheduled out of the next forty days. To say my “cycle” is a little off is an understatement, but I’m actually used to this lifestyle in a way a sick child is used to the needles injecting into his/her arm every day. It hurts, but you know it hurts, and then you just don’t care that it hurts.

I sleep in a coffin, six feet long, three feet wide, and three feet high. It’s open on one side, though the blue fabric curtain offers something like privacy. It’s low-tech in a high-tech world. I’m drifting on a war vessel capable of destruction the world hopes to never see and I am so numb to it that I barely recognize it for what it is. It’s the future exposed in the modern world. The confinement, the isolation, the stress, all of it will carry forward into the future drift as humanity expands its reach to the stars. We learn and we adapt to our surroundings. Sometimes it hurts, but eventually the pain of it dissolves, or we grow numb to it. This is how mankind will be taught to traverse their way into the unknown.

Deployments have extended, my own is no exception, the blow of knowing you will not be home on time tears a hole in your soul. The patchwork of moving past such heartache is the same as the numbing agent of making it one more day, followed by the next, and the next, and the next. Eventually, the days all stream together into an incoherent mass, indistinguishable from one another. It makes you feel a bit crazy to lose the concept of time, but eventually you are grateful for it, to not have the mark of individual days weighing on you like a burden you can never drop. It is a skill, in and of itself. Mostly, it is a learned trait that will be necessary to take us beyond our solar system, where the light of Sol is only present as a pinprick of light on the monitor feed of a generational spaceship.

The future drift is coming. Space exploration is becoming a privatized industry as governments fall out of competition and let the common man take over. I think it is better this way. Governments only serve to get in the way of expansionism, to use politics to say why we can’t do something. Instead, we will figure out how we can do it and then break those barriers down as we carry ourselves further into the expanse. Mars will be our neighbor, followed soon by the moons of the outer gas planets. Before long, the solar system will not contain us, though we will still be contained. The point when everyone starts getting on each other’s nerves, the feeling of being a sardine packed tightly into a can making them feel claustrophobic, and mild depression starts setting in. and then we will do it all over again, relearn new traits to deal with the pain, the isolation, the subjugation of captivity in the vacuum of space.

There’s a part of my soul that wishes to experience this, but I know I would hate it, and love it, and hate it. We romanticize what it would be like to explore the universe. We experience it in short duration as we watch television and movies depicting the dreams of mankind on a screen, the adventure laced with drama unfolding before our eyes. Those depictions leave out the innumerable moments of mere existence that carried the crew to the uncharted worlds they discover. Were they frozen in time, sleeping away relentless years without stirring, or were they awake for the ride, trapped in their own coffins to sleep away their lonely nights after a long days work? And what happens to day and night when the light of stars is too dim to distinguish one from the other? Will mankind care or will it become the numbed pain of learned association, the mind dealing with existence in a way that disassociates the person from reality, if only for a short while?

The future drifts, requiring us to learn what is necessary to take the next leap forward. Space exploration will not be abridged, shortened to eliminate the dull moments; the ones that make you feel alone in a sea of people, the ones where you miss home. The guarantee of adventure is as weak as the guarantee of immortality. Some lives may pass with nary a moment of exhilaration as other lives are bent and molded by new worlds, the challenge of adaptation forbearing in a way we can only imagine with weary eyes before we drift to sleep at night.

I’ve thought about it as I’ve been lulled to sleep by the gentle crash of waves against the ship. What would it be like to be anywhere but where I am now? What if I could change time and put myself in the future, in the drift of space, carried forward by momentum gained years prior? That is how we will explore, on the thrust of the generations who went before us. Can I count myself as that generation, or am I part of the world of forgotten scientific advancement? Are our achievements capable of being measured because they are important now? Or will the future nullify all we know in order to accommodate new sciences that will fit into their view of the universe? It’s hard not to want to know the answers, but what if they are disheartening? What if we never reach towards the stars? Is it a bigger crime than being forgotten by the sands of time?

Maybe, I just think about it too much. As the future drifts, so do I, upon the sea that countless generations sailed. There is a brotherhood of the sea, where men like me missed their families too. Perhaps they dared to dream of a future like I do, or perhaps they longed for the seas to dry and negate the need for ships that drive wedges between them and their families. Both are hopeful and hopeless, a duality, like a double-edged sword you are cut either way. Instead, I won’t think about the pain of the cut, but on the hopefulness of the future, drifting further away while being close enough I deceive myself in thinking I can touch it, to taste it, to smell its existence.

We will be among the stars again, because it is the stars from which we were born. Perhaps not our bodies, but in our dreams; born for more than the universe as we know it, but as we want it to be, and more.


Drew Avera, author of The Dead Planet Series, is a science fiction author and active duty Navy veteran. He lives in Virginia with his wife and children. You can learn more about Drew by visiting his website at www.drewavera.wordpress.com

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Please take a moment to check out Drew’s Amazon page.

I want to thank Drew for writing this guest post for my blog.   Thanks, Drew!

Oh, did I mention that Drew has recently been absorbed into The Collective and chosen to be a Scribe for The God Machine?

No?

Huh…

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You can find Drew at the following locations when he’s not tethered to an omnipotent machine or sailing the seas…

Amazon, Facebook, Twitter, and Goodreads.